Danh Vo: 2.2.1861

Danh Vo: 2.2.1861

Artist: Danh Vo
Title: 2.2.1861
Year: 2009-
Last letter of Saint Theophane Venard to his father before he was decapitated
copied by Phung Vo
Ink on paper | 29.6 × 21 cm

 

 

Artist: Danh Vo

Title: 2.2.1861

Year: 2009-

Last letter of Saint Theophane Venard to his father before he was decapitated copied by Phung Vo

Material: Ink on paper Size: 29.6 × 21 cm

Title and edition number remains undefined until the death of Phung Vo.

Each handwritten text will arrive in an envelope and be post-mailed by Phung Vo directly to the buyer, whose address will be archived by Phung Vo.

 

   

   

Reference Materials

 

January 20, 1861

 

          Dearest, honored and beloved Father.     

 

          Since my sentence is yet to come, I wish to address you a new farewell, probably the last one. My days in prison are going by peacefully. Everyone around honors me, and many even love me. From the great Mandarin to the last soldier, all regret that the law of the kingdom condemns me to the death sentence. I have not endured any tortures, like many of my brothers. A slight strike of a sword will behead me, like a spring flower picked by the garden Master for pleasure. We are all flowers growing on this earth, picked by God at some point, a little earlier for some, a little later for others. One is the crimson rose, another the virginal lily, another the humble violet. Let us all try to please the Lord and Master, with the perfume or radiance we were given.       

 

I wish you, dear Father, a long, peaceful and virtuous old age. Bare your life cross gently, following the path of Jesus, till the calvary of a felicitous death. Father and son will meet again in heaven. I, small transient being, am to leave first. Farewell. 

 

Your devoted and respectful son.

 

J. Théophane Vénard

 

m.s.

 


the artist's father Phung Vo handwriting the letter

2.2.1861 (2009-), exhibition view at Danh Vo: mothertongue, Danishi Pavilion, 56th Venice Biennale, 2015

  

 

Mothertongue

Danh Vo

 

My father will write this letter repeatedly until he dies.

 

I like the idea that calligraphy can become an act of pure labor.

 

Traces of the Latin alphabet were found in an Egyptian copper mine that dates back approximately 4000 years. This discovery indicated that at the time, workers who were not able to decipher hieroglyphs invented a new phonetic writing form that was easy to read and use.

 

In the 17th Century, Vietnamese was phonetically transcribed by Portuguese missionaries for evangelical purposes. During the French occupation in the early 20th Century, Vietnamese in Latin script became the official language. Since the system was phonetically transcribed and therefore easier for peasants to learn, the phonetic text was also propagated by the Vietnamese National Socialists; they saw it as a tool to combat illiteracy. Today, Vietnamese speakers have universally accepted this writing system, and only scholars have knowledge of the older, Chinese-influenced characters.

 

My father barely learned to speak, let alone write, Danish. All Western languages are alien to him.

 

Among the many things arranged on the desk where he transcribes the letter, there is a small Danish flag and an image of Pope John Paul II.

 

The postcards illustrated in this book depict paintings of the executions of missionaries trained by the Société des Missions Etrangères de Paris, an institution that continues to educate aspiring evangelicals and enlist them in missions abroad. Most French missionaries in the 19th Century were sent to Asia, two hundred years after the Portuguese set foot in the region.

 

The seminary ordered these paintings from converted Vietnamese artisans.The French missionary killings may have served as an excuse for France to colonize Vietnam in the mid 19th Century. But the French also supported the English in The Second Opium War against China, for which they needed Vietnam’s northern port. Fifty years later, the killings of Christians during the Boxer Rebellion would be used in a similarly political manner. I have many images of the Boxer Rebellion in mind, too.

 

I am baptized and was given my first communion and later something else, which I don’t know the English term for and decided not to look it up.

 

In 1954, at the Geneva Convention, it was decided that Vietnam would be divid- ed in two; Ho Chi Minh ruled the Communist North, and the South was ruled by Ngô Đình Diệm, a Catholic Vietnamese supported by the US government. The division was supposed to be temporary but the proposed elections were cancelled by the US once it became obvious that a free election would result in a united Vietnam headed by Ho Chi Minh.

 

I have seen film footage of old, wooden Tokyo burned to the ground.

 

At the first meetings in Potsdam after The Second World War, the US was against the former imperial powers regaining their colonies. The fact that Ho Chi Minh partly copied his declaration of independence from America’s is lost in our collective memory.

 

Could Diêm have unified Vietnam? It was during his regime that the international news circulated images of protesting Buddhist monks burning themselves to death. In 1963, a coup d’état supported by the US ended with Diêm’s body penetrated by bullets then stabbed repeatedly with a knife.

 

There is a portrait of Diệm hanging somewhere in my father’s flat. He still believes that Diệm, had he lived, would have made things better.

 

My family has not always been Catholic. I am the second generation of Catholics. My father secretly converted from Confucianism to Catholicism as a protest against Diệm’s assassination. Today, he is still a devout Catholic.

 

Over the past thirty years, I became familiar with my father’s handwriting from all the signs and menus that he handwrote for the various small food stalls he owned in Denmark. I like that writing calligraphy can become no different from making a burger. I like the idea that calligraphy can become an act of pure labor.

 

I confess my brain was gang raped by Jean-Pierre Dardenne and his brother Luc’s films. Rosetta and her phallic drive to secure a job (and therefore a place in society), is burned into my mind.

 

Lower-class immigrants have greater difficulty assimilating into society. My father barely learned to speak, let alone write, Danish. All Western languages are alien to him. When he writes these letters, he recognizes the alphabet, but understands none of its contents.

 

I prefer to keep the price of the letter relatively inexpensive to ensure that my father will get to work a lot. People buy the letter and my father will post it to the new owner.

 

I think of it as the return of an amputated alphabet. I think of it as the return of a set of useful sounds back to mere image, like hiero- glyphs to the worker, in the copper mine approximately 4000 years ago.

(The text was originally published in Phung Vo 2009-2012, Kunsthaus Bregenz,2013, on the occassion of the exhibition Danh Vo / Vo Danh at Kunsthaus Bregenz, 2012, text resource: the artist) 

 

 

 

About Danh Vō

Danh Vō was born in Bà Rja, Vietnam, 1975. Vō’s family fled the country in a homemade boat when Vo was four years old, the vessel was rescued at sea by a Danish freighter. Grew up in Denmark, studied at the Royal Academy of Fine Arts (1998-2002) in Copenhagen and the Städelschule (2002-2005) in Frankfurt, Danh Vō currently lives in Berlin and Mexico City. His artistic practices often address issues relating to identity and belonging, authority, ownership, the role of personal relationships and other conditions that define human existence in contemporary time.

 

Image and Text: the shop, ©Authors, the shop, 2019

 

[ Notice ]

(1) Each handwritten letter will arrive in an envelope and be post-mailed by Phung Vo directly to the buyer, whose address will be archived by Phung Vo. It will take 1-4 months from the date of your order to the dispatch date. We greatly appreciate your patience. 

(2) The status of your order will be updated accordingly on our website after the letter is sent out. Delivery times may vary depending on your country and local postal service.

(3) Due to the nature of the letter, force majeure factors may apply. Since the letter cannot be tracked, please contact us if you have not received the letter within 6 months after the dispatch date. Please contact us via mail@theshop.art

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